What’s happening is inevitable, I suppose. The growing number of old television programs being rebooted. It’s happened before. “Hawaii 5-0” was a TV staple for twelve seasons in the ‘60s and ‘70s. The reboot has managed to add 9 more seasons to that total. “Dynasty” has returned, “The X-Files” got a second life, as did “S.W.A.T.” Of course, none of them were the kind of breakout hit that the “Roseanne” reboot was last season. Television loves success and loves to copy whatever works. So a sudden rush of reboots was predictable.
The two big-name series coming soon are “Magnum, P.I.”, set to premiere at the end of September, and “Murphy Brown” which will premiere that same week. Both shows will be on CBS. I am torn on these shows since I was a huge fan of both originals. The pair are taking different approaches to the reboots. “Murphy Brown” will return most of the original cast, while “Magnum” is bringing us not only new actors in the roles but some new interpretations. For example, Higgins is now a woman. Don’t worry, Zeus, Apollo, and the Ferrari all make it back.
There is the temptation to say that with the general television audience getting older, and CBS having a reputation for an older audience anyway, this is the network trying to offer the old coots among the viewers something familiar. Certainly, the “Murphy Brown” cast will look familiar, with its slew of 60 and 70-year-old actors. Which will make it one of the oldest average age casts in television history.
The reality is slightly different. There are plenty of other shows, including some classics from the ‘80s and ‘90s that are under consideration for a re-launch as well. The oldest program that I found under consideration for a return is the ‘60s favorite, “Bewitched”. Then you can jump forward in time to shows like “ALF” and “Buffy the Vampire Slayer”. For the children of the ‘80s and ‘90s, the choices are growing. For you, there are reboots in discussion for “Animaniacs”, “Blues Clues” “Clarissa Explains It All”, “Double Dare”, and “Duck Tales”.
There’s no guarantee all of the shows will make it into production. There are always more shows talked about than ever make it to the screen. Plus, reboots are not guaranteed rating winners. For every “Roseanne” there’s a “Fuller House”. The numbers for “Hawaii 5-0” and “The X-Files” had a few wobbles along the way.
At the end, my real problem is that the television networks seem to leave behind any attempt at creating something new and interesting. Which doesn’t do anything to solve the long-term issues the medium faces.
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